CONTACT IMPROVISATION: A DANCE OF EQUALITY

Bruce of Berkeley California writes:-

"At the age of 17, I broke my neck while diving, which resulted in paralysis affecting my body from my chest down. While on a March for Peace in Central America, I learned about contact improvisation and discovered through it that people with and without disabilities could dance together equally. Contact improvisation allows someone disabled to become so engaged in the contact and balance with another dancer, that the sensation supersedes the superficial image. Even though I have limited voluntary movement throughout my body, I can create coordinated movement, using the sensation in my body and skeleton.

The focus of the dance is on the conversation of body movement between two people. Each person listens through that person's own body to the other dancer's movement. As well, each person is responsible for his or her own safety in the dance and trusts that the other will always be in the present moment, listening.

For me, it's important to create motion and dance that naturally emerges from a disabled person's body. I encourage people with disabilities to find their own personal expressions of movement from their own bodies rather than imitating dance styles like ballet or ballroom dancing and movements that come from non-disabled bodies. When persons with disabilities try to perform in contemporary dance styles typically performed by the non-disabled, audiences judge them as making a nice effort. However, when persons with disabilities create dances which present the authentic movement of their own bodies they will find that the audience will appreciate them as true artists."

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